BOY OH BOY
Introduction 129
"We never have a proper idea for our sets, it either sounds good or it doesn’t. No limitations to emotions, tempo or genre, whatever works and gives us goosebumps or lets us dance and sing along!"
How do you get into a creative flow?
"When we listen to birds and nature."
Where do you draw your inspiration from?
"From birds and nature."
What do you love most about being an artist?
"The fame and the money."
How do you stay focussed in a world of constant distraction?
"5 minutes working, 10 minutes Instagram."
What, for you, is the purpose of art?
"Having fun, enjoying yourself and not taking life too seriously."
What do you want to express with your music?
"Our emotions."
What is sacred to you?
"Our hard drive."
What is your opinion on success?
"Success is the most subjective thing in the world."
What is your opinion on failure?
"The most normal thing in life. It happens every day."
What would your 16 year old self think about what you’re doing today?
"Why haven't you grown up yet?"
What makes you laugh?
"New Girl."
In which ways could the scene improve in the future?
"By slowing down the process of hammering out new music every week and spending more time and adding more value to every individual release."
Favorite release at the moment & of all times?
"Body Language Compilation by Cioz (at the moment)
Vanessa Carlton - 1000 Miles (all time)"
What can we expect from you in the near future?
"Actually, a book & also maybe our first album, but pssst don’t tell anyone!"
Most profound insight you had since you started this career?
"That the skill of creating something and telling a story is worth way more than any number of streams or followers on social media."
Follow Boy Oh Boy
More DKJ for you
Introduction 159 | Beth LydiIntroduction
Introduction 158 | MarbsIntroduction
Introduction 157 | BøgenIntroduction
Introduction 156 | Colin LevisIntroduction
Alright EPRelease
Introduction 155 | Steven ShadeIntroduction
Introduction 154 | N1NJAIntroduction
Introduction 153 | Nihil YoungIntroduction
Armageddon EPRelease
Introduction 152 | WurtzIntroduction
Toxic People Remix EPRelease
Introduction 151 | HeerhorstIntroduction
Overload EPRelease
Introduction 150 | Stephan ZovskyIntroduction
New Day EPRelease
Introduction 149 | VakabularIntroduction
Introduction 148 | Cosmic MindsIntroduction
Introduction 147 | GalestianIntroduction
CHROMA CompilationRelease
Introduction 146 | Rïa MehtaIntroduction
Introduction 145 | Aaron SuissIntroduction
Nostalgia EPRelease
Sorrow EPRelease
Introduction 144 | Michael RitterIntroduction
Surprise EPRelease
Introduction 143 | James HarcourtIntroduction
Attraction EPRelease
Fury EPRelease
Introduction 142 | Jil TannerIntroduction
Introduction 141 | Annett GapstreamIntroduction
Introduction 140 | Paul AnthoneeIntroduction
Introduction 139 | FabricationIntroduction
Introduction 138 | Elliott CreedIntroduction
Introduction 137 | Natasha WaxIntroduction
Introduction 136 | Stan StarryIntroduction
Introduction 135 | Pauke SchaumburgIntroduction
Introduction 134 | OlffmannIntroduction
Introduction 133 | Mona MooreIntroduction
REVIVAL VARelease
Introduction 132 | Stil & BenseIntroduction
Raphael Hofman - PolaroidRelease
Introduction 131 | Der EffektIntroduction
Ilu & Aaye - Not AloneRelease
Introduction 130 | NUSIntroduction
Lunatique - The AnthemRelease
Solink - RiseIntroduction
Introduction 128 | AioIntroduction
Jono Stephenson - LibertyRelease
Introduction 127 | Maurice KaarIntroduction
Introduction 126 | deGustIntroduction
Introduction 125 | Mattia PompeoIntroduction
Introduction 124 | Matthias SchuellIntroduction
Introduction 123 | Maurice MinoIntroduction
Introduction 122 | IntaktogeneIntroduction
Introduction 121 | Jordan GillIntroduction
Introduction 120 | Mila JournéeIntroduction
Introduction 119 | HolltIntroduction
Introduction 115 | Third PersonIntroduction
Get in touch
Want to collaborate on an event, release a premiere, or need help with a live-stream production?
Feel free to reach out via booking@ditklingtjut.de
Stay tuned
Follow us on social media or subscribe to stay updated.
With the support of:
