DKJ011 | 23.09.2022
Like a soothing voice from the past, nostalgia signifies a sense of yearning for what was, perhaps even for what was lost. It’s an emotionally tainted view back onto bygone times, carrying both melancholy and solace in remembrance of the lost qualities we prescribe to them.
For his interpretation of nostalgia, the Melbourne-based Elliott Creed created an interplay of filled and open space within his track 'Depth of Emotions’. A careful choice of expressive synths and echoing cymbals build up to a fully immersive soundscape, just to then collapse into a minimalistic and airy moment, offering space for memories of nostalgia to arise and linger while the build-up starts anew. The perfect tune to hypnotize a dreamy crowd on a foggy festival morning.
The Sri Lankan, NY-based Rïa Mehta celebrates her debut on our label with the heavy & spacious production ‘Alone’, representing her creative take on the feeling of nostalgia. The track leads with a roaring baseline and soft, organic percussion, creating a wide cushion for the yearning synth and the melancholic vocal of Cathy Rocher to unfold. The composition culminates in a long and soulful breakdown with the baseline transforming into a verberating echo from the past, reminding us of its inherent transient quality.
Elliott Creed: "The emotion of nostalgia is a trigger for happy memories that exist within someones mind. It is the sentimental yearning to return to a period of the past. The personal association to nostalgia that I connected with Depth Of Emotion links to a period of time during 2019/2020 where I had finished my undergraduate degree. Throughout the year I was able to travel Southeast Asia and experience Burning Man for the first time. There were many sunsets, sunrises and moments where I tried to slow down and pause to remember the moment. Throughout the narrative track, I attempted to draw on these memories and transpose different parts of the happy memories into corresponding sounds."
Rïa Mehta: "I associate happy memories when using the word "nostalgia"... and when I think back to one of my favorite tracks as a child, "Thriller" by Michael Jackson usually tops the list. It has so much suspense and I love that. "
Elliott Creed: "The idea of translating emotions into sound is always an interesting concept. Usually sound triggers emotion, not emotion triggering sound. I found myself looking back upon various videos and pictures of my travels and used the rich colours of the landscapes to try and trigger inspiration for the various synths that travel throughout the track. Similarly, the overriding experience, being humbling and grounding, provided legs for the baseline to be the root of the track. The narrative was driven by the idea of slowing down to pause for a moment, before also remembering to continue to live happily."
Rïa Mehta: "As with most of my favorite old-school tracks (from Bollywood, to MJ and Deep Purple), I wanted the track to be focused around the vocal and have a simple melodic hook. You can hear the bollywood influence in the 2nd half of the track, and that bass influence from Deep Purple. I then added a twist to the breakdown (and some of the melodic elements) to have the track fit into today's modern melodic techno scene :)"
Elliott Creed: "If given the chance to participate in something like this again, the emotion of "feeling inspired" would be a great opportunity. It would allow me to explore a similar writing style with the chance to write with some potentially powerful and moving sounds."
Rïa Mehta: "Suspense / haunting, probably. The track is definitely for the dancefloor but Cathy's beautiful vocals sound haunting in the 2nd half of the track (also my fav part of the track along with the breakdown)."
More DKJ for you
Introduction 159 | Beth LydiIntroduction
Introduction 158 | MarbsIntroduction
Introduction 157 | BøgenIntroduction
Introduction 156 | Colin LevisIntroduction
Alright EPRelease
Introduction 155 | Steven ShadeIntroduction
Introduction 154 | N1NJAIntroduction
Introduction 153 | Nihil YoungIntroduction
Armageddon EPRelease
Introduction 152 | WurtzIntroduction
Toxic People Remix EPRelease
Introduction 151 | HeerhorstIntroduction
Overload EPRelease
Introduction 150 | Stephan ZovskyIntroduction
New Day EPRelease
Introduction 149 | VakabularIntroduction
Introduction 148 | Cosmic MindsIntroduction
Introduction 147 | GalestianIntroduction
CHROMA CompilationRelease
Introduction 146 | Rïa MehtaIntroduction
Introduction 145 | Aaron SuissIntroduction
Sorrow EPRelease
Introduction 144 | Michael RitterIntroduction
Surprise EPRelease
Introduction 143 | James HarcourtIntroduction
Attraction EPRelease
Fury EPRelease
Introduction 142 | Jil TannerIntroduction
Introduction 141 | Annett GapstreamIntroduction
Introduction 140 | Paul AnthoneeIntroduction
Introduction 139 | FabricationIntroduction
Introduction 138 | Elliott CreedIntroduction
Introduction 137 | Natasha WaxIntroduction
Introduction 136 | Stan StarryIntroduction
Introduction 135 | Pauke SchaumburgIntroduction
Introduction 134 | OlffmannIntroduction
Introduction 133 | Mona MooreIntroduction
REVIVAL VARelease
Introduction 132 | Stil & BenseIntroduction
Raphael Hofman - PolaroidRelease
Introduction 131 | Der EffektIntroduction
Ilu & Aaye - Not AloneRelease
Introduction 130 | NUSIntroduction
Lunatique - The AnthemRelease
Introduction 129 | Boy Oh BoyIntroduction
Solink - RiseIntroduction
Introduction 128 | AioIntroduction
Jono Stephenson - LibertyRelease
Introduction 127 | Maurice KaarIntroduction
Introduction 126 | deGustIntroduction
Introduction 125 | Mattia PompeoIntroduction
Introduction 124 | Matthias SchuellIntroduction
Introduction 123 | Maurice MinoIntroduction
Introduction 122 | IntaktogeneIntroduction
Introduction 121 | Jordan GillIntroduction
Introduction 120 | Mila JournéeIntroduction
Introduction 119 | HolltIntroduction
Introduction 115 | Third PersonIntroduction
Want to collaborate on an event, release a premiere, or need help with a live-stream production?
Feel free to reach out via booking@ditklingtjut.de
Follow us on social media or subscribe to stay updated.
With the support of: